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Hymns to Uncool or Reconsidering Lisa Germano’s ‘Geek the Girl’

A bold investigation of a woman’s journey through self-A bold investigation of a woman’s journey through self-acceptance, Lisa Germano’s unsettling opus Geek the Girl fell through the cracks of the alternative mainstream in 1994.acceptance, Lisa Germano’s unsettling opus Geek the Girl fell through the cracks of the alternative mainstream in 1994.
Lisa Germano (Photo: Dina Douglass)

Lisa Germano: No Elephants

There has always been a kind of ornate misery to Lisa Germano’s music. She is best known for her ’90s albums for dream-pop label 4AD, which had a rare combination of intricate beauty and unflinching challenge, a music box of nightmares.
No Elephants (Badman)

Remembering How to Feel

An accomplished singer-multi-instrumentalist first spotlighted as a member of John Mellencamp's touring band in the late '80s and early '90s, Lisa Germano has recorded and toured with a diverse legion of rock and pop stars including Eels, David Bowie, Crowded House, Philip Selway (Radiohead) and Giant Sand.
No Elephants (Badman)

Lisa Germano: No Elephants

No Elephants is Lisa Germano's ninth record, and her fourth since declaring that she was quitting the music business forever in 1998. The somewhat restricted palette explored here might scan as "pretty", but the lyrics are classic Germano: jarring, rough-hewn, and anguished.
No Elephants (Badman)

Lisa Germano: No Elephants

Lisa Germano’s spare fragility, her whispery confidentiality, would come off as too precious if she didn’t pay such great attention to the craftsmanship of her writing.
No Elephants (Badman)

Lisa Germano: No Elephants

In No Elephants, Germano uses a good deal of animal imagery, returning again and again to the idea of an imbalance between humans and the natural world.

Lisa Germano: Magic Neighbor

By now, Lisa Germano is probably more than a little tired of being referred to as the one-time fiddle player for John Mellancamp—especially when she's issued eight distinctive albums of her own.
Lisa Germano (photo: Dina Douglass)

Music for the Morning After, and Beyond

Musicians often chronicle the anguish, adjustments and small triumphs associated with a relationship's end. But few capture the emotional rawness and suffocating isolation quite as powerfully as "Too Much Space," Lisa Germano's uncommonly sensitive look at the first lonely hours after two people part and the dust begins to settle.
Lisa Germano (photo: Dina Douglass)

Lisa Germano: In the Maybe World

Now signed to a new label, this newest release sees Germano sounding a little perkier, while also keeping her low-key approach and somewhat twisted world-view.

Lisa Germano: In the Maybe World

With all of Lisa Germano's work comes the feeling that she's addressing only herself, with that conversational approach and those near whispered vocals.

Lisa Germano: Lullaby for Liquid Pig

Lisa Germano's Lullaby for the Liquid Pig is built on her exquisite piano chordings, her whispery vocals, and the moody poetics and subtle melodies of her songwriting.

Lisa Germano: Lullaby for Liquid Pig

"I need a fix / A little one / And then it's over / Then I'm done." So begins the title track to Lullaby for Liquid Pig, Lisa Germano's unsettling disquisition on addiction and desire.

Lisa Germano: Geek the Girl

Lisa Germano's third release, 1994's Geek the Girl, is quietly devastating. Recorded on a four-track in her Bloomington, Indiana, apartment, it chronicled the depths of fear—and romantic hope—with dark humor and biting clarity.